With some excellent characterisation, genuine wit, and a sense that everyone in the room is in on it, THE ORACLE delivers a riotous, fun, and light-hearted night out.
In a devastatingly effective takedown of the rampant sexualisation of young girls, Jamie Mykaela delivers a long overdue throat punch to the music industry.
High impact, yet unnervingly surreal, The Nose is a thrill to experience. We're captivated, watching as the three performers shift between characters—darting on, off, and around the stage.
Elena Mazzon works to redress the omission of Clara Schumann nee Wieck’s life, accomplishments, and humanity in her one-woman show, CLARA: Sex, Love and Classical Music.
A rambunctious display of superb modern clowning positively teeming with lively physical comedy.
Tomás Ford reveals more of himself in an hour than his audiences have seen over his whole career.
Whether you’ve ever felt inclined to explore sailing or not, Scott Murphy: Sailing Lessons is a show you’ll enjoy.
The eponymous comedy burlesque phenom presents Clara Cupcakes: Top Bits—a largely autobiographical and wholly entertaining journey through her career to date.
Fate, belief, and an incredibly detailed prediction are explored in the hilarious and touching You’re a Good Man, Dr Pirate.
Maniacal genius of alt-comedy, Claire Sullivan annihilates the audience’s sense of reality with Toast Rat.
You want to know more about The Dark Room.
4 ½ stars
You need to know that there is the very real possibility that, during this show, you will die.
After four million YouTube hits and sold out shows since its live-action inception in 2012, John Robertson brings The Dark Room, to Perth audiences. This twisted live-action text adventure game promises a riotous hour during which Robertson variously leers at, cajoles, and tortures the crowd as they navigate the digital confines of the titular room.
Our host stalks the stage, clad in a cyberpunk costume, with his blond locks hanging down around his highly malleable face. He’s a 1970s science fiction illustration come to life, leaping off the page of any number of Warhammer 40K manuals.
Members of the audience are plucked, entirely not at random, to select from up to four options and try to escape the dark room. Robertson narrates their futile attempts to escape with unbridled savagery and enthusiasm, occasionally pulling his head back in shock and glee at the choices made.
It’s easy to see that Robertson has a deep love of early gaming nostalgia, but the show doesn’t rely on the audience sharing that love to appreciate the humour. Sure, you’ll get a few more of his references if you do, but the first night’s performance - with the audience ranging from a septuagenarian to a particularly unfortunate tween - was proof that there are vast quantities of fun to have regardless.
Robertson is clearly having an enormously fun time with this show, and you will too.
YA DIE! YA DIE! YA DIE! YA DIE! YA DIE!
Tickets available from the FRINGE WORLD website.
GLEN SEABROOK-BENSON